Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Monday, September 24, 2018

Museum of Contemporary Art Toronto Canada

This past weekend, the Museum of Contemporary Art (MOCA) Toronto re-opened. It's been a while since MOCCA closed its door on Queen Street West back in 2015. For its opening weekend, admission was free and it was crowded. Lots of kids running around, particularly on the first floor where Andreas Angelidakis's DEMOS installation lets the audience play and move the colourful foam blocks. 

Housed in the former Tower Automotive Building, the new site is beautiful and fits so well with what MOCA has done and continues to do now. The space is a true dream with the concrete beams and unfinished, industrial vibes. 


The exhibits are not underwhelming either. From addressing highly relevant social issues, to exploring disagreement and the anxiety we feel towards disagreement, to giving a glance of the resident artists' spaces, MOCA's opening weekend was great. Here's a look at my Saturday there.







The first two photos are pulled from MOCA's website. The rest are my own. 


Saturday, April 28, 2018

Tattoo III


This was a big budget tattoo that I spent months saving towards. In total, it cost me $680. It was done by Ruby Wolfe of Occult Tattoo, but she was a guest spot at Holy Noir in Toronto. Her style and her person is beautiful. I'm very happy with how this turned out. I have yet to take better photos of it, but I would like to share the experience of tattoo 3 with you.

What is it? 
She calls them witches. It is a woman kneeling and presumably praying with a sword piercing through her chest. She is surrounded by peonies. Leaves are erupting from her wound. She sits at my right hip and upper thigh.

What does it mean?
It is a homage to my second tattoo, which was a love heart with ME written inside and a dagger piercing through. I really did like this tattoo and the simple idea behind it, but it blew out and I got it covered up.

This is a reflection of my own fight, my own bravery and courage. It's my fight with my own life and existence. It's the struggle for confidence, security and wisdom. She feels like how I can get and who I can become. A couple of people have joked to me about the darkness of the image. In a way, that's there too. She is the way that is sometimes hard to swallow. She is the way that I get hurt, but how I hope to come out of that pain. I think this is a deeply personal tattoo, and it becomes so personal that some of the meaning is lost/buried even to myself.

Did it hurt?
In comparison, this did not hurt really. There were certain spots that were more tender, but not unbearable. Close to the second hour, I did get very antsy. Parts of the tattoo also made my foot twitch, which is a little scary given that I am being permanently marked.

How long did it take?
About 2 hours.

Why'd you do it?
I admire Ruby Wolfe's work. I think there is something very eerie and special about it. It's also true what they say - tattoos are the itch I need to scratch.

Are you getting more?
Yes, but not until I find an artist and a concept I really connect with.

Thursday, November 9, 2017

THE GALLERY WALL


I wanted to show off my gallery wall. Made up mostly of memories, personal paintings and art exhibits and galleries I've visited.

From the top, left to right (artists listed where they could be found):

  1. A postcard from Tate Modern ("Hate and Power Can be a Terrible Thing" by Tracey Emin)
  2. A print from the Ontario College of Art and Design
  3. Petra Collins' solo exhibit at CONTACT Gallery ("Anna and Kathleen")
  4. Postcard from San Francisco
  5. An ad for Coppertone ripped out of a book
  6. Instax photo of Charlotte and I at Voodoo Child Cafe in Toronto
  7. An art postcard from ArtToronto 2015 ("Hypernurnia" by Mathew Borrett)
  8. A photo strip of Charlotte and I at the Drake Hotel
  9. A postcard from the Getty Centre in L.A.
  10. My own watercolour painting
  11. Instax photo of a potluck a few years ago (top), Devonte's going-away a couple years ago (bottom)
  12. My own watercolour painting and collage 
  13. A postcard from Tate Modern ("Untitled" 2003 by David Shrigley)
  14. A postcard from the AGO ("Don't Tread on Me" by Basquiat and Andy Warhol)
  15. Instax photo of a Starbucks holiday party two years ago (top), Mishi and I at North of Brooklyn Pizzeria in Toronto (bottom)
  16. A photo of the mountains in Vancouver, 2017
  17. A postcard from the AGO ("Anthony Clarke" by Basquiat)
  18. A postcard from the AGO ("Study of Perspective - Tiananmen Square, Beijing" by Ai Weiwei)
  19. A magazine cutout likely from Vice Magazine
  20. A postcard from a local shop called I HAVE A CRUSH ON YOU

Saturday, September 2, 2017

Tattoo II

At the end of June, I got another tattoo. This one, I'll dub my second and a half tattoo. It's a coverup for a stick-and-poke that didn't work out. It cost roughly $240, not including tip. It was done by Jennifer Lawes at Pearl Harbour Gift Shop.


What is it?
It's a sparrow, diving down. In flight. Note that it's a different bird from a swallow, which is prominent for tattoos.

What does it mean? 
The sparrow is a coverup for a stick-and-poke that featured a love-heart pierced by a sword with 'ME' written inside. So, in part, the sparrow means nothing. It just is.

A sparrow for flight, for freedom, for escape, for never being bound to the ground, or a single place, a single situation or scenario. A sparrow to remind me to leave. To keep moving, to keep chasing. For the last while, I have felt very stuck. Glued and pinned to the Earth. I haven't been satisfied or happy or alive. A sparrow as a reminder that some things aren't meant to be bound to the ground. A reminder that if the wings are pinned, it is much like dying. It is important and necessary to move, to chase, to seek adventure.

It is a sparrow more than any other bird because a sparrow is common. It is plain. It is small and soft. It is flighty and shy. To me, they endure. They push onward.



Did it hurt?
It hurt a lot. The area here is much more sensitive than my first tattoo. The parts that hurt a lot more were right next to my boob and closer towards my armpit. I think it hurt most as it got closer to my armpit. It was a lot. I hope that for my next tattoo, I will be kinder to myself and pick a less sensitive spot.

I should note that this time I got some shading done. I learned that shading is not as painful as linework. I thought the sensation of shading was much more bearable.

Other things of note that helped with this tattoo session opposed to my first tattoo session: I listened to music as recommended by my friend Henrieta. Music helped drown out the noise from the gun. It provided a much needed disaster, and it wasn't until I put music on that I realized how much I really, really hated the sounds of needle guns/drills/etc.

I brought a giant thing of Booster Juice with me. I learned after my first tattoo that my body is very sensitive to the changes in my blood sugar levels. I needed something constant to pan me through the entire session. I sipped my Booster Juice throughout the session and I found it very helpful. It kept my blood sugar levels more consistent before, during and after my session. It was also a nice sweet treat to distract me from the tattooing process. Because of this, I didn't need much else after the session. The tattoo still stung but it didn't leave me feeling sick. I just walked home after and rested.

How long did it take? 
If I recount correctly, the whole appointment took around two hours. I think it took about an hour and a half to almost two hours for the needle-to-skin tattooing part. I did stop her for a couple times for a few minutes as a small rest. It took about two, almost three months from when I went in for a consultation to my tattoo date.

Why'd you do it? 
I really liked the design of my stick-and-poke tattoo. I thought it was really lighthearted and fun. However, the tattoo artist might have gone too deep into my skin and the ink bled. My tattoo was left with a blue-black halo around the lines. Although it did fade a little and would've likely continued to fade, I didn't like it. I wanted to get it covered up, so I settled on an artist and a design and did just that.

I recently read a thing. I can't remember from where. It described getting tattoos like getting a nose job or a boob job or dying your hair or whatever. It was a way of having your physical body more in line with your mental picture of yourself. It was a way of having your outside be reflective of your inside. I really liked that. I want my physical body to reflect some of what I feel inside.

I also mentioned in my post about my first tattoo that for me, tattoos are very much about control. My physical body is so often out of my control. It acts and reacts in unpredictable ways. Over the years, it feels like I lose more and more of it. I want an aspect of it to reflect my will, to impose my control. I want my body to feel beautiful when it gives me anguish and sometimes, a sense of despair.

Are you getting more?
Yeah. Already trying to plan more.

Saturday, November 19, 2016

Tattoo I


Last Saturday I got my first tattoo. It cost roughly $360, not including tip. And it was done by Jess Chen at Tattoo People. It was all line work, no colour. It's unlikely that I will ever get it coloured.

What is it? 
It's two peonies surrounded by some buds and leaves, spilling out of a rectangular box.

What does it mean?
The original sketch I made to show Jess included a line of poetry. 'The rose is without why.' 
The rose is without why
It blooms because it blooms
It cares not for itself
Asks not if it is seen
It is a poem by German poet, Angelus Silesius. I first discovered the poem as an art installation by French artist Boris Achour for Nuit Blanche in 2013. I fell in love with the words.

We are constantly bombarded with expectation and normalcy, complacency, society. There is so much we have to do, to such a specific degree and scale. I've always tried so hard to follow along. I don't know how successful I am in that mission, but I've always tried. I don't think I have ever sought difference although I'm sure I have always been a bit of an alien. A weirdo, out of place, an outsider.

I want to be reminded- I need to be reminded that sometimes difference is OK. Sometimes difference doesn't matter, because sometimes some things don't require an explanation. Things happen. I happen, life happens. We're so limited in what we can do to change the world, change ourselves, change our lives, the way people think of us, the way they think of themselves. And yet, we must keep doing, keep going, breathing. Life is. I am- without explanation or reason or the necessity of such. It is.

Peonies were chosen because they're my favourite flowers. The peony is the national flower of China. It's found in lots of traditional Chinese paintings as well as silk embroidery. It represents wealth, beauty, honour. Referred to as the "King of Flowers" or "Flower of Riches and Honour" on the Internet. Peonies bloom beautifully, but they look messy. Complicated. They're painted beautifully in Chinese paintings, a sort of simplicity and vibrancy in design and colour. But I think, in reality, they're such a full flower. So heavy, so lively, yet still fragile in the way that it can fall apart.

Did it hurt?
It didn't hurt as much as I thought it would. It felt like how many people described it to me, like a cat scratch. Some parts were a little more painful than others. I could feel the difference between the thickness of each line. The thinner line of the rectangle felt different from the thicker lines of the peonies, which felt different from the even thinner lines that made up the "shading". The tattooing process wasn't bad at all. The noise of the gun was annoying, but less so as time went on. The feeling of the gun vibrating against skin also felt less unfamiliar as time went on. It was OK. Incredibly bearable.

However, the rest of my evening after the tattoo felt like a disaster. I felt incredibly, incredibly weak and got very sick. It was to the point where I still felt light headed through most of Sunday.

I thought I was prepared for my tattoo. I had a full meal before my appointment. I met a friend for lunch around noon. My appointment was at 2PM. Lunch included pasta and some protein. I didn't drink any alcohol or caffeine before my appointment. I was prepared in that I brought water, a large chocolate chip cookie and a can of Pringles with me to my appointment. I didn't eat much of the cookie or Pringles until my session was done. I think this was my mistake.

Towards the end of my session, my head started to feel very full and stuffy. It wasn't a light headed feeling, but something different. I finished up though. My tattoo got bandaged up. I didn't think it bled very much. After my appointment, my friend and I went to a coffee shop because we had some time to kill before meeting another friend for dinner. The headache started slowly over the next hour or so. It became a quiet pounding inside my head. Fast forward a few hours, I did manage to get through dinner with my two friends. We had sushi. I was later told that was a bad idea. After dinner, we were still sitting at the restaurant waiting for one of my friends to be picked up. I vomited. My head was pounding and I spent the rest of the night vomiting. I somehow managed to Uber back to my place, but I think I ended up vomiting at least 3 or 4 times that night.

My good friend Henrieta told me after that I should've had something sugary after my session. I should've had something warm, like broth for supper. I should've taken it easy. Probably should've slept after my session. She explained to me that the endorphins and adrenaline in my body shot up during the tattooing process. I needed sugar for the crash. My body did not handle stress or shock well.

How long did it take?
It took about an hour for the actual needle to skin. The whole experience took about two hours, two and a half hours for the stencilling, prepping the station, discussing the final details of the design, etc. The booking her took about six months.

Why'd you do it?
I've always admired tattoos. I've wanted a tattoo for years but never settled on a final design or concept. I like Jess's artwork. I want to be able to control some aspect of my physical body, which always feels like it is just beyond my control. I like the idea of art on my body. A canvas. And, why not? Why shouldn't you?  

Are you getting more?
Probably. Don't tell my mom though.

Saturday, August 1, 2015

Study of Perspective - Distillery District

Study of Perspective - Distillery District, July 2015, Toronto. 

Ai Weiwei is a Chinese artist that I deeply, deeply admire and respect. A few years ago, I saw his exhibit According to What? at the Art Gallery of Ontario in Toronto. He has a series of photographs called Study of Perspective.

This photograph was inspired by Ai Weiwei.